It welcomed her, as always, with its smile of cosy neatness. The spotless curtains that were Mary’s pride: the gay flowers in the window, to which she had given children’s names: the few poor pieces of furniture, polished with much loving labour: the shining grate: the foolish china dogs and the little china house between them on the mantelpiece. The fire was burning brightly, and the kettle was singing on the hob. One of Joan’s earliest recollections was the picture of herself standing before the high cheval glass in her mother’s dressing-room. Her clothes lay scattered far and wide, falling where she had flung them; not a shred of any kind of covering was left to her. She must have been very small, for she could remember looking up and seeing high above her head the two brass knobs by which the glass was fastened to its frame. Suddenly, out of the upper portion of the glass, there looked a scared red face. It hovered there a moment, and over it in swift succession there passed the expressions, first of petrified amazement, secondly of shocked indignation, and thirdly of righteous wrath. And then it swooped down upon her, and the image in the glass became a confusion of small naked arms and legs mingled with green cotton gloves and purple bonnet strings.!

Flossie came up at the same instant. She wanted to introduce him to Miss Lavery, who had just arrived. “It was clever of him to make use of you,” he said. “If he’d sent it through anybody else, I’d have published it.”

What about Hilda? No hope of hiding their secret from those sharp eyes. But Hilda would approve. They could trust Hilda. The child might prove helpful. “Now, none of that,” he said severely. “It’s no good your thinking of me. I’m wedded to my art. We are talking about Mr. Halliday.” The woman did not answer in words. The big tears were rolling down her cheeks. There was no paint to mingle with and mar them. She drew the little metal box from under the pillow and gave it into Joan’s hands.